I've been working this morning on the underside of the tree and grass using techniques that I learned during Mike Sibley's drawing workshop in Indiana.
It's been almost a year since the workshop and the improvement on my artwork has been incredible. And the revelations of "ah-ha"! are still happening!
To attend one of Mike's drawing workshops is an opportunity that any graphite artist should not miss. It doesn't matter what your subject matter preference is or your drawing style (from realism, sketches or abstract) the concepts and techniques Mike demonstrates can be applied to. Spending three days with one-to-one attention with a master is an experience that I will never forget.
Mike is coming back to the United States in September to conduct 4 more workshops! Visit his website http://www.sibleyfineart.com/ for workshop locations and information.
Here's the section of my current drawing. I've been pushing the branches on the underside of the tree back into the shadows. Using negative drawing techniques, I'm able to create the blackest areas between the leaves, allowing them to subtly appear deep in the shadows.
It's been almost a year since the workshop and the improvement on my artwork has been incredible. And the revelations of "ah-ha"! are still happening!
To attend one of Mike's drawing workshops is an opportunity that any graphite artist should not miss. It doesn't matter what your subject matter preference is or your drawing style (from realism, sketches or abstract) the concepts and techniques Mike demonstrates can be applied to. Spending three days with one-to-one attention with a master is an experience that I will never forget.
Mike is coming back to the United States in September to conduct 4 more workshops! Visit his website http://www.sibleyfineart.com/ for workshop locations and information.
Here's the section of my current drawing. I've been pushing the branches on the underside of the tree back into the shadows. Using negative drawing techniques, I'm able to create the blackest areas between the leaves, allowing them to subtly appear deep in the shadows.
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